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The common thread running through bodies of my work of the past several years is the continuing need for self discovery and the need to understand and make sense of human motives and the way we relate and respond to each other.

The process of working out the many questions I have about the human condition directly through my work has been both cathartic and empowering. The alter ego Fatima Mayfield, a fictitious herbalist/fortuneteller, is the vehicle that allows me to role play in order to confront the issues, whether it’s romantic relationships, social ills, or financial woes, in a way that’s open, creative and humorous.

As a visual artist, I choose to explore these ideas and concerns through the variety of media that’s available to me. Originally trained as a painter, I came to realize that my creative vision was so expansive it would be confining for me to limit myself to creating in one medium for my entire career. When an idea hits me, I immediately decide which materials will best allow me to make that idea tangible. As a result, my bodies of work have included paintings, drawings, prints, sculpture and photography. I see each one of my pieces as a fragment or installment in an ongoing narrative that’s my contribution to telling the story of who we are as a society at this point in time.

Renée Stout
www.reneestout.com

Each image is 20” x 15” printed on Arches 88 paper in editions of 25 using waterbased inks, acrylic and pigmented wax.



A collage of proofs & film positives from the suite of Fatima and Black 9 screenprints.